Tuesday, 15 December 2009

Bales Batty Beginnings



I tend to think you can work out if a film is going to work or not in the first 5 minutes of its running time. When I first saw Batman Begins in 2005, it was at an IMAX screening. And, in that initial run time...I wasn't sure if I was going to like Christopher Nolan's reinvention of cinema's Batman. It's a low key start and features lots of confusing, generic brawling in a Chinese prison. Perhaps the screen was too big, the action too frenetic and maybe I was sat too close.

But then...Bale's Bruce Wayne is released and Batman Begins revealed itself to be a mythic, mesmerising monster of a blockbuster. Once Bruce Wayne walks into the Tibetan Glacier accompanied by Hans Zimmer's quietly pulsing score you realise this a different beast, not only from the Burton/Schulmacher era, but from the likes of Spider-Man or Hulk.

Batman Begins has a more grounded reality than most comic book adaptations, thanks to a thriller-ish tone set by director Nolan. But it also has a mythic quality, partly from the Bruce Wayne coming-of-age journey, but partly from the subtle heightened reality the director imbues the film with. The subtlety extends to the cinematography (not day-glow, but restrained shades of green and grey) the editing and the action (which lets the stunts speak for themselves). The cast are spot on, especially Bale who, after American Psycho, was always my top choice for the role. The unnatural, amplified, deep Bale growl is perfect when he's in the Batsuit an adds to the supernatural mysticism Bruce Wayne is projecting when terrorising suspects. I'd also like to stick up for Katie Holmes as she gets a raw deal from critics about her work here. She's absolutely fines, and frankly more watchable and likable than the less attractive and hormonally moody Maggie Gyllenhal in the same role in the sequel.

As you'd expect from co-writer Nolan, the script is fantastic in it's pacing, structure and subtext. The movie explores how fear can be used to control, manipulate and destroy...as well as how to turn it into something positive. It's undoubtedly a reflection of Bush Jr-era American Politics. Although the movie has four villains (Scarecrow, Falcone, Earl and Ra's Al Ghul) they never overwhelm the story of Bruce Wayne...they simply serve to illuminate different aspects of Bruce's inner struggle.

Since the mega-hit sequel, The Dark Knight, came out in 2008 the question has been for me...which is better? Well, I intend to watch that movie shortly, so watch this space. However I am positive that Batman Begins is one of the very best movies of the decade. It may not actually be the best, but this is by far my most watched release of the naughties.

Thursday, 10 December 2009

Because McG Thinks Rachel Bilson Is Sexy Too



You migh know Rachel Bilson as the gorgeous brunette from THe O.C. TV series. She shot to international attention playing the female lead in Jumper in 2008. She is goddamn sexy. Alas, McG sees it slightly differently...

Wednesday, 9 December 2009

Awkwardland



Superbad was an impressive coming of age drama produced by the Judd Apatow camp, that carefully balanced the hilarious comedy with touching moments of drama. Director Greg Molatta's follow up is less 'broad' and more 'indie'. In simple terms, the drama is more to the fore and the humour more subtle.

So what you get is another coming of age adventure, as Jesse Eisenberg (does he have the same agent as Michael Cera?) learns about life and love while working at a summer fun fair. This time the youngsters get to stand around feeling awkward 'bout stuff, a lot of the time. Awkward about whether she loves him. Awkward about whether they should tell the truth. Awkward about how they get on with their parents.

It loosely follows the romcom rule book and is generally very very sweet and not that funny. But if you think Kristen Strewart is cute (and, after Twilight, she's honed awkward to a tee) and you enjoy watching awkward people interact awkwardly for half hour too long, then Adventureland is the movie for you.

How Now Brown Harry



Sir Michael Caine (God bless you sir) might be in his seventies but he still can pick a good 'un. In Harry Brown he stars as the title character; a lonely pensioner who's petrified by the armed gangs that terrorise his inner-city housing estate. After tragedy strikes, Harry decides to take matters into his own hands.

This is a classy, low budget, back-to-basics vigilante thriller. Director Daniel Barber channels the style of Bryan Singer with simply composed, long duration, elegant camera shots...allowing the images and the acting to tell the powerful story, rather than flashy editing or wasteful dialogue. It's a testament to the brilliant Caine that he's able to convey the depth of emotion and conflict that burdens Harry. As the aging bad-ass he only has a few scenes with weighty dialogue to play with (the rest being conveyed through an Oscar worthy performance).

The script is just as economic as the direction giving the stripped down feel of Assault on Precinct 13. Despite the low budget, the film score big marks for style with is stark production design and strong cinematography. Emily Mortimer provides a worth counterpoint, as the cop charged with investigating the violence on the estate.

Gripping from start to finish, although uncomfortably kitchen-sink at times, this is THE British film of the year.

Tuesday, 8 December 2009

Law Abiding Spartan



Ah, they don't make 'em like this any more. But they do! Law Abiding Citizen is a barmy, high concept thriller in which a pissed off Gerard Butler is let down by Jamie Foxx's legal system after his wife and daughter are raped and murdered. In true (Spartan) style, Gerard doesn't get mad, he gets even. Well, a bit mad then.

Written by Kurt Wimmer, this adult cat and mouse movie is preposterous. The happy coincidences. The levels to which Butler is able to get away with his plan. Ludicrous. The dialogue. Dumb. It's slick, bullshity, unbelievable bollocks.

And as such, I rather enjoyed the escapism of it all. Foxx is solid in the morally conflicted District Attorney (it's a pale shadow of the morality tale The Dark Knight was) while Butler has fun as the bad guy you want to love. Yep, Gerard does lots of bad things to good people, but you're still with him right to the obvious conclusion...partly 'cause he's a charisma machine and partly 'cause you know he's got a point.

It's also rather entertaining to hear cops swearing and for savage bloodletting to be seen in a mainstream crime film. Cops 'n' robbers stuff seems to be relegated to CSI TV land while cinema gets superheroes to do it's crime solving. In the good ol' days we had Basic Instict, The Bone Collector, Rising Sun and Snakes Eyes...so it's a warm welcome back to the Hollywood thriller. Even if this one resides in a padded cell.

Tuesday, 1 December 2009

Guilty Pleasure Breaking News !!!



It was my intention, when starting this blog just over a year ago, to post pop culture news that interested me. Well, that died off pretty quickly. But every now and again there's news that my inner geek must share with the rest of the world.

Yes, that's right. They're planning to remake Disney's The Black Hole. This from the guys who are currently re-imaging Tron.

What does this mean for me? Well, after the success of Star Trek, and hopefully Avatar, it looks like a new space opera phase of cinema could be upon us again.
Yeah baby, Yeah!

http://robotchicken.wikia.com/wiki/The_Black_Hole

Because Superman Thinks Twilight Is Dumb Too

Brandon Routh is cool. Not only for doing a damn fine job at playing the man of steel. Or for his supurb Zack & Miri cameo. But for making this chucklesum Twilight spoof. Because some films just invite ridicule...even from movie stars...



Also, check out this Twilight spoof, taking the mick out of the internet T-shirt sensation too...