Sunday, 26 June 2011

Conan The Comedian



Worldwide audiences may not be familiar with Conan O'Brien. I first came across him through his guest appearances on John Stewart's syndicated comedy news programme The Daily Show when O'Brien shared the Comedy Central network with him. He's a lanky 'ginger' with an irreverent wit who hosts late night chat shows. A couple of years ago O'Brien was promoted from cable TV to take over NBC's prime time broadcast The Tonight Show (practically an American Institution), from the previous host Jay Leno. And all was well and ratings were up. Then, in a very public and humiliating turn of events, Jay Leno wanted his old job back...and NBC relented.

Although O'Brien was handsomely financially compensated, it left the comedian with a passion for entertaining without a job and under a legal obligation not to appear on TV for at least 6 months. The documentary Conan O'Brien - Can't Stop shows the behind the scenes of the live US tour that O'Brien put on to vent his frustrations and to feed his need to keep putting on a show.

It's an interesting insight into the pressures of TV, fame and touring an evolving variety show. It doesn't always portray O'Brien in a flattering light as he often comes across as egotistical, selfish and addicted to fame and attention...but it's probably not that different from that of any other live artist on a grueling tour. Fascinating.

Arthur Is No King Of Comedy



Much as Dudley Moore's original '80's comedy Arthur depended on whether you think the lead actor is actually funny, the remake leans on star Russell Brand in much the same way. Now I like Brand. His cheeky charm, verbose wit and rock star psychological baggage (he's an ex-drug/alcohol/sex addict) give him an unspoken backstory that adds layers to any character he plays.

It's a shame then that this tame remake fails to fully embrace the R rated depravity the casting of Brand can offer. The script is weak although everybody's trying their best, especially a game Jennifer Garner and a terrifyingly gruff Nick Nolte. Disappointingly Helen Mirren, as Arthur's nanny doesn't quite handle the comic timing as ably as she did in last years RED, although she comes into her own when the inevitable sentimental drama comes into play. Finally, love interest Greta Gerwig is an appealing, but quirky, leading lady in the Zooey Deschenal mold and I look forward to seeing her in other stuff.

Fun and mildly diverting fluff your enjoyment of which is dependant on the man child known as Russell Brand. You decide.

Tuesday, 21 June 2011

Green Has Lost It's Sheen



With so many super hero movies inhabiting our screens over the last few years, comic book based films have largely had to stay fresh and interesting to keep audiences interested. So instead of the usual superhero origin tale like Superman - The Movie or Sam Raimi's Spider-Man we've had weird and wonderful yarns like Hellboy, Thor, LXG, Watchmen, Super and Kick Ass, which all add new and interesting spins on the standard super hero template. Unfortunately Warner's Green Lantern adaptation plays the universal super hero origin story playbook step by step. The last time it was done this closely to the comic book bible was Marvel's Iron Man in 2008. But thanks to a revelatory star turn by Robert Downey Jnr, some deft direction by Jon Favreau who managed to balance the fun and humorous with the intense and dramatic, and a fast moving, witty script the film was a winner.

Green Lantern's script is a mess. When it should be bold, exciting and imaginative it's instead predictable and Earthbound. And when the movie does get to spread it's wings showing the Green Lantern Corps, outer space battles and the traing sequences as hero Hal gets to train in the use of his powerful magic ring...it all feels rushed and all too brief. This might be down to the fact the studio, the normally reliable Warner Brothers, lost their bottle when it came to the more fantastical elements in the story, fearing they will put off a mainstream audience with limited imagination. Or, even with a gigantic $200 million budget, they didn't have enough money to give Green Lantern the true interstellar adventure he deserved.

Ryan Reynolds (deserving to be an A-list actor but the films he's in keep letting him down) does his best but he can't raise the fun level much above the base line. And everybody else is simply OK. Blake Lively is pretty but blank, Peter Sarsgaard is mainly low-key as the Earthbound baddie (he's entertainingly bonkers in one short scene and then he returns to subdued and dull) and the rest of the cast aren't well written enough to have any impact whatsoever.

Tonally it's a mess too. Good though they are, the spacebound scenes are a little jarring up against the Earth set stuff...something this summers Thor didn't have a problem with. And dramatically it doesn't flow very well. Hal mopes around a lot trying to decide if he wants the responsibility of being an interstellar policeman, but since he uses the ring when he needs to, it's never in doubt that he will take up the mantle. Also, his love/hate relationship doesn't make a whole lot of sense as if whole chunks of dialogue have been chopped out and left on the cutting room floor.

Although the film looks gorgeous and the effects work is pretty solid (as long as you don't have an allergic reaction to CGI) the over-abundance of unimaginative and talky Earthbound stuff often gives the film a TV pilot feel. If the official numbers are to be believed Green Lantern has a budget $5 million more than the latest Transformers film, which frankly has every cent of it's $195 million budget up on the screen.

It's not bad at all, but for a movie with a great star, a dependable director and based on a hot and wacky comic book property, it's disappointingly so so.

Mummy Knows Best



Hostage thrillers are usually a winner for me. There's a simple 'what would you do?' story angle which sucks the viewer into the film, providing the director doesn't muck it up or the hostages and hostage taker remain sympathetic and authentically menacing respectively.

Mothers Day is does a solid job of giving the suburban hostage drama a stretch of the legs. It's pretty taut, adds enough variation of location, character, backstory and twists to keep things from becoming dull and there's a likable cast in the form of Shaun 'Iceman' Ashmore, Jaime King and Brianna Evigan. And it's got a righteous, yet barkingly psychotic turn from Rebecca De Mornay as the mad mommy of the title. The story might be unremarkable but there's enough style and integrity in this little package for it to come up trumps.

Green Light For The Emerald Knight



Probably in an effort to build awareness for it's megabudget adaptation of DC Comics Green Lantern, Warner Brothers Studio decided to make some direct-to-video animated adventures for the interstellar Super Hero. The first Green Lantern: First Flight, released in 2009, was a fun retelling of the heroes origin. Now they've got a follow up adventure Green Lantern: Emerald Knights with the bonus voice casting of Nathan Fillion (who should be in everything) in the title role.

The film keeps it interesting for the kiddies (which this is obviously aimed at) by breaking the main story up into 10 minute flashbacks providing the back stories of some of the other Green Lantern Corps like Jason Isaacs' Sinestro, Henry Rollins' Kilowog and Kelly Hu's Laira. The animation is your standard Saturday morning fusion of Japanese manga and Yank cost cutting but it zips along, the voice casting is charming and, lets face it, has a grander scale than the soon to be released live action version promises. Ah, the beauty of animation!

Saturday, 11 June 2011

June Pick N Mix



Marvel's Iron Man first, if misguided, spin off..



A Chat Show starring Return Of The Jedi's favorite fish boy...



A Star Trek movie parody...



An alternative ending to Back To The Future...



And a brilliant mash-up of the greatest movie threats of all time...


Tuesday, 7 June 2011

Shirley, I CAN Be Serious About Airplane!



Which movie has not only got the greatest number of jokes in it, but also the greatest number of gags that work, and not just the half arsed ones shoved in there for filler?

It's Airplane! of course, the directing debut team of David Zucker, Jerry Zucker and Jim Abrahams. An ever so straight faced spoof of the melodrama Zero Hour, Airplane! takes nearly every Airport gag in the book and spits them back out at you at an alarming rate. Robert Hayes and Julie Haggerty make excellent leads (Hayes deadpan exclamation directly to camera, "What a pisser!" is my favorite moment in the movie) but it's the hiring of established 60's movie stars Robert Stack, Lloyd Bridges, Peter Graves and the never-better Leslie Neilson, all with their deadpan but cheesy deliveries, that pushes this into genius territory. A special mention must go to Stephen Stucker's camp Control Tower operative Johnny who nearly steals the whole show.

If it wasn't for the genius of John Landis, Airplane! would be my favorite comedy ever.